Flicking through my notebook to remind myself of what I’ve been up to of late (I don’t bother storing such information in my brain any more, it’s too full of useless facts that I’ve accidentally learned from Wikipedia) I came across a bunch of tasting notes from Whisky Live London. Rather than let them sit in an analogue and unsearchable pen and paper format I thought I’d better get them typed up into a nice digital form just in case I lose my notebook again like I did last week (it was on the sofa).
Berry’s Own Selection 1997 Clynelish – my first whisky of the evening was predictably a Clynelish (my new favourite distillery) and from the Berry’s stand (my new favourite shop). On the nose it was floral and, inevitably (to the point that I’m not even sure it’s really there or if it’s my brain inserting it), waxy with buttered Fruit Salad chews and butterscotch. To taste it was sweet but astringent, with big tannic wood and sweet lemons. Water turned some of the wood into butterscotch and brought out more citrus.
Bowmore 16 year old Port Finish – one of the peat plus port wood whiskies that seemed to be the underground craze (well, there were two) at the show. On the nose it had muddy peat, caramel, well roasted beef and flowery hand soap. To taste it had big astringent peat with restrained smoke, pulled pork and a mustardy heat. I didn’t get to add water as I was talking to some people on the stand, but I think it could have done with a drop to pull out some more flavours.
Teerenpeli – Finnish whisky. First distilled by brewer Teerenpeli in 2002 and released as a 5 year old in 2008 and a 6 in 2009. Their website’s all in Finnish, so I don’t know much more about them. I’m not entirely sure how old the one I tried was but the chaps on the stand were lovely. They were so nice that even though I wasn’t asked I stuck a couple of whisky tokens (the currency of the Whisky Live shows which noone seemed to want to take this year) into their jar – the nice man told me that any money they got from them would go to charity. The nose had boiled milk, egg custard and sour fruit. To taste it had rich cream with spice, malt and raisins. A bit like a bowl of museli.
The Glenlivet 1964 – grabbed from the The Glenlivet Guardians balcony after I signed my life away to their mailing list. It was something I’d been meaning to do for a while as they send you a pretty key to stick on your keyring that gets you into the special Guardians lounge at the distillery. On the nose it had marzipan, pencil shavings, sweet butter, cream, cinnamon and butterscotch. To taste it had rich buttery wood, sweet dry wood, shortbread and spongecake with a dry finish. Water added more butter and more spice, leaving it soft and oily. The lady on the balcony poured me a rather generous sample of this and it lasted me for a good long while (through dinner, chatting with people from some of the stands and wandering around a bit) – I rather liked it. In the end I necked the end of it before grabbing a dram of something that I no longer remember. I knew nothing about it until I looked it up online the next morning, at which point I discovered that at £1000 a bottle it was the most expensive whisky I’ve ever tasted and the sample I tried would have cost me in a bar significantly more than my ticket to the show. It was really good, but maybe not £1000 good, but if you’re paying that much for a bottle of whisky you’re probably not caring about the price.
Compass Box Flaming Heart – my penultimate whisky of the night (the last was some Pappy Van Winkle 20 year old, but as I was being herded out of the door by then by some CIA-lookalike guys in suits with ear-pieces my notebook stayed in my pocket) this was the only whisky on the Compass Box stand that I hadn’t tried at the previous evening’s Whisky Squad. It was poured for me by the lovely Chris Maybin, who conducted the previous night’s tasting. On the nose it had muddy peat, light burning hay and orange peel. The taste started sweet and the moved through spicy caramel to a smoky fiery end. Water brought out more Clynelishy-ness (wax and salt), fruit in the middle (mango and pineapple?) and burnt wood over the end. My final tasting note of the night was ‘Butter and ash’. Unfortunately this is the also the whisky that me and Mr Standing wittered about in the Connosr Whisky Pod. Since then I’ve deliberately tried not to use the word ‘nice’ and the suffix ‘-ness’ (apart from the one above in Clynelishy-ness. That was deliberate). I hope you appreciate the effort that has required.
The year has turned and time for another whisky squad has rolled around. This month, in a departure to the norm, we relocated from The Gunmakers to sample some more whiskies from Berry Brothers and Rudd, the eponymous Berry’s Own Selection, this time in the cellars beneath their shop at Number 3 St James’s Street. Due to Epic Camera Failage! (I forgot to charge it) I ended up with only a few rather noisy pictures courtesy of my iPhone but Mr Standing, Whisky Squad co-founder and probable boxing champion if he put his mind to it, has put up a flickr set with a few more piccies of the lovely location in.
While The Gunmakers has history (named for the nearby site where Hiram Maxim’s machine gun, the first of its kind, was manufactured as it is) Berrys have been selling continuously from their shop since 1698 and despite The Blitz hitting surrounding buildings quite heavily it is still made of a lot of original material. The floor in the main shop floor may be a bit on the wonky side, thanks to the settling of the foundations over the last 300 years, and the floor boards near the door may only be a few years old due to being replaced after the break in, but walking into the shop does almost feel like walking into a museum. In the back left corner there is a small room where Rob Whitehead, returning as our whisky guide for the evening, spends most of his time looking after Berry Brothers’ spirits selection, but most of their business remains selling wine. While most of the stock is no longer under the shop the cellars aren’t going to waste, having been refurbished and turned into a selection of vaulted venue spaces, one of which Rob led us down into for our tasting.
The plan for the evening was the same as usual, despite the change in location, and the focus was to be whiskies from Speyside. As it’s the largest, by number of distilleries, area of whisky production in Scotland, with the number of different styles of whisky that suggests, Rob decided to narrow the selection and work (mainly) with whiskies matured in refill bourbon hogsheads. Along with the four whiskies we were to taste he also put two glasses in the middle of the table with an attached challenge – whoever identified the difference in age between the two glasses would win a prize. More on that later…
First up was a lightly coloured dram with an interesting waxy nose of apples, foam strawberries and green wood. To taste it was oily with vanilla, acetone, a caramel sweetness in the middle and hazelnuts to finish. Water brought out candy canes, spicy apple pie and some balsamic vinegar. In an effort to help with guessing Rob let us know that the distillery name didn’t begin with G or B, removing all the Glens and most of the other distilleries. However, even with this help and Whisky Guy Darren reeling through distilleries at a rate of knots we didn’t guess – it was a 1989 Aberlour, bottled after 15 years at 46% (as most BoS whiskies are – they are single cask but are diluted down to that strength if they haven’t already dropped below it). This is a bit different to regular Aberlour (which is well known for its use of sherry casks in maturation) and was a pleasant start to the evening.
The next whisky was a bit darker and before I got my nose in the glass it was announced that it smelled of “Swimming Pools”. I didn’t get the chloriney smell that others did, but I did get nail varnish, sweet & fruity air freshener, non-soapy pot pourri, rose water turkish delight, gin botanicals, candle wax, shortbread and ginger nut biscuits. The nose was fantastic and the taste didn’t quite live up to it. It had a slowly building gingeriness, reminding the table of Thai food, leading to an icing sugar powdery sweetness at the end. On the way there was rhubarb and butterscotch, married up with a pleasant sourness underneath. Water brought out more butteriness, spongecake and violets. Interesting, but one that I liked the nose of much more than the taste. The cover came off to reveal that it was a 1985 Linkwood bottled in 2006 at 21 years old. Linkwood doesn’t get out much as a single malt, with about 98% of production going into blends (mainly Diageo’s), but as it is sold for blending the independent bottlers can occasionally get their hands on casks like this one.
The next bottle appeared and the whisky was yet again slightly darker. On the nose it had floor polish, a hint of salt and mincemeat, and a dark savouriness sitting under it all – the phrase “umami on the nose” was mentioned, causing me rather too much amusement (umami being specifically a taste rather than a scent, and all that) but made a lot of sense. To taste it had ozone (posh swimming pools…), sweet and sour fruit, and a vegetal tang leading a crisp sweetness and mix of green and old wood at the end. Its tannic taste and hints of vegetable added a tea-like feel to the flavour. Water tamed some of the dryness and added in some sweet butter. Again we had no correct guesses and the bottle was revealed to be 1971 Dailuaine bottled in 2005 at 31 years old. Dailuaine is another blending distillery that doesn’t make its way out into the single malt world very often and as this bottling divided the room I can see why. The savouriness didn’t appeal to everyone but I rather liked it. I’ve tried one or two other bottlings at the SMWS and will continue to keep an eye out.
Last of the night was a dark whisky with a pile of sherry cask on the nose and Rob admitted that this was the one where he had departed from his ‘refill bourbon hogshead’ plan. On the nose it had hot gravel, dark fruit, deep savoury notes, hints of sugary rum, struck matches and wet undergrowth. To taste it had dry spicy wood up front, with a slab of vanilla, fine sawdust in the middle and a long finish of preserved fruit. Water brought out more depth, with liquorice and caraway, and butter and vanilla. There were no ideas around the table at all for this one and it turned out that was with some justification – it was Berry Brothers’ blended malt Blue Hanger, this being the previous 4th release. They’re on to the 5th release now but this version is made up of about 50% heavily sherried whisky from Mortlach, matured for about 17 years in two sherry butts, with some 33 year old Glen Elgin and 16 year old (I think) Glenlivet to make it up to 3500 bottles. Blue Hanger has been around for a while, named after William Hanger, the 3rd Lord Coleraine, who was nicknamed “Blue Hanger” and died in 1814. The Blue Hanger comes from the days when whisky was sold in bottles that the customer would bring in to be filled from casks in the shop – they had three barrels: a smoky whisky, a sherried whisky and one where the dregs of the barrels were married before refilling. The ‘dregs’ barrel thus picked up a combination of smoky and sherried whisky, mainly the sherried as it sold in much larger quantities, and as it was constantly topped up it had bits of a variety of older whiskies in. A bottle of original Blue Hanger was found a few years back and after tasting it Doug McIvor, Berry Brothers’s whisky king, put together the first new limited release and has been working on it with each batch. It was rather nice.
After the four main whiskies of the tasting all eyes turned to the mystery drams in the middle of the table. From colour alone we could tell that one was new make (being entirely clear helps with that) and thus Darren correctly guessed that we were looking at Glenrothes – BBR own Glenrothes which makes it significantly easier to get new make spirit. On the nose the new make had buttery grain, cereal and a hint of cream. To taste it had lemon, grass, and apples and pears to finish. I rather liked it, which is dangerous when you’re drinking something that is 68.8% abv. The other dram was a solid bronzey gold and obviously a chunk older. On the nose it was sweet with biscuits and a touch of citrus – maybe lemon shortbread? To taste it was buttery with spicy wood and a plimsolly rubberiness hiding behind. There was only a drop to share between the table and it became apparent why on the reveal.
The second whisky was a 1975 Glenrothes bottled in 2006 and long sold out at Berrys. Known as an excellent whisky it’s not been easily obtainable for years and we got the last from Rob’s stashed tasting bottle.
Noone guessed the 31 years difference but there was a 30 and a 32, and the guessers very kindly decided to let everyone try their prize before dividing it up – a bottle of a very much long gone and rather pricey Talisker 20 year old that Rob happened to find knocking around in his increasingly enviable tasting cupboard. On the nose it had rubber tires and balloons, spicy fruit and muddy river banks. To taste it had marzipan dust, butter, spiky smoke, struck match sulphur, ketchup and violets. Water brought out more of the sulphur note (hated by many but liked by me) and fluffy powdered sugar. It was an impressive dram, especially after the almost entirely peat free evening we’d had, and one that I’m happy to have had a taste of.
Next month’s session (the mysteriously named Bottle of Britain) is already sold out, but keep an eye on the site as March’s will be up soon enough. Looking ahead to the future, there will be a group (well, at least three of us) going to Maltstock in The Netherlands in September under the Whisky Squad banner. Let us know if you’re coming along…
Berry’s Own Selection 1989 Aberlour
Single cask Speyside single malt Scotch whisky, 46%. No longer available, but was ~£50
Berry’s Own Selection 1985 Linkwood
Single cask Speyside single malt Scotch whisky, 46%. No longer available, but was ~£45
Berry’s Own Selection 1974 Dailuaine
Single cask Speyside single malt Scotch whisky, 46%. No longer available, but was ~£70
As the year draws to a close the season of Christmas parties is upon us. I missed my office Christmas party for the last Whisky Squad (the unblogged #8a, which involved BYOB, chocolate and some impressive drunkenness – Jason managed to write something down and then read it back again, the latter part of which isn’t quite possible from my notes) and have somehow managed to avoid any others until last week when The Squad grabbed the back room of The Gunmakers.
The plan was ‘simple’ – there’d be more seats than usual, there’d be a three course Christmas meal from The Gunmaker’s rather excellent kitchen and Whisky Guy Darren would choose some whiskies to accompany the meal. Things veered away from simple when it was also announced that there would be a whisky quiz, knocked up by Darren and Whisky Squad founder Andy. There was even mention of prizes…
Anyways, Darren matched up one whisky per course, choosing a dram that would work with each of the three choices available. First up, although tasted blind as is usual, was The Scotch Malt Whisky Society’s 93.40 – Clay and Pork Sausages, a ten year old from Glen Scotia in Campbelltown bottled at 61.9% from a refill bourbon cask. On the nose there was roast pork and apples, salt, woody smoke and caramel sweetness. To taste there was sweet coal smoke, salt and pepper, and lemons. Water brought out the appleiness, vanilla from the cask, sour wood and more lemons. This was matched with tomato and red pepper soup, smoked salmon and crayfish roulade, and wild boar pate and worked quite well with them all – the smoky saltiness combined with some meatiness backed up the soup and pate, and cut through the creaminess of the roulade.
Next up was the Berry Brothers and Rudd Ledaig 2005, bottled at a shockingly (after tasting it) young 4 years. It came from a sherry cask and was a rather spicy 62.7%. This one is sold out everywhere and appeared on our list thanks to Darren finding a bottle hidden in his house. I tried it on a visit to BBR after Whisky Squad #7 and was quite impressed, but had assumed that I’d not be able to try it again, so was quite pleased to have this chance. Along with everyone saying it was great at the time the chaps at Caskstrength.net gave it the top prize in their BiG (Best in Glass) awards this month, beating a Glenfarclas 10 times its age. On the nose it had smoke, custard, salt, marmalade and meaty bbq sauce. To taste it had coal, tar, a sweet rich fruity burst and a finish of coal dust. Water calmed it down, bringing out leather and more sherried fruit, while diminishing the smoke. This was matched with roast turkey, lamb shanks, baked whiting and butternut squash pie. I can’t speak for anything but the lamb, but it went well, the rather big flavours of the whisky happily stood up to the heaviness of the meat.
Going with dessert we had The English Merchant’s Choice 13 Year Old Glengoyne. This is a single cask whisky chosen as the second of the Glengloyne Merchant’s Choice selection, coming after the Scots version. It was selected by a group of English whisky sellers, including Darren’s boss at Master of Malt, Ben Ellefsen (there’s more about it on the Glengoyne blog). On the nose it had dark rum and nail varnish and the taste continued that with some heavy bitter wood and rubber, all with a demerara sugariness underneath. Water revealed some bitter orange rind along with the rich rumminess. Despite my love of sherried whisky, this one was a bit much for my liking – too much wood swamping the rich sweet fruit. This was matched with Christmas pudding, mince pies and some cheese, all of which went well. The richness of the whisky matched up with the fruit of both the pies and pudding, and cut through the fat of the cheese (even making me appreciate a blue cheese for the first time ever).
As a post dinner dram Darren unveiled The Octave 31 Year Old Cameron Bridge, a single cask grain whisky bottled by Duncan Taylor from a first fill bourbon cask at 54.6%. On the nose this one had a thin sweetness, with raisins, acetone and citrus syrup. To taste it had spicy, but controlled, wood, vanilla pods and a short finish of sugary wood. Water brought out more vanilla and cream, revealing school dinner custard, grape jam and a spicy woody finish. This was my favourite of the night, showing me that the bits of well aged grain whisky that I like are common between sherry and bourbon casks and thus due to the nature of the spirit rather than the wood it’s aged in. Unfortunately with only 70 bottles released I suspect I won’t be finding any more.
Now we come to the quiz. Composed of three rounds, a picture round and two of written questions and answers, it was marked out of 50 and was rather tough. I lucked out and had Rob and Rocky from Berry Brothers on my table (their experience was offset by our team size of 3 compared to everone else’s of 5, was our claim) and we quite convincingly won with a score of 40. We picked up some miniatures of whisky as well as accusations of cheating – the peril of having Darren (writer of round one) on our table as well (although being good and not taking part in the quiz). Anyways, winners!
So, Whisky Squad continues from strength to strength, with January’s session already sold out, but keep an eye on the website for February’s meeting.
SMWS 93.40 – Clay and Pork Sausages
Campbelltown single cask single malt Scotch whisky, 61.9%. Sold out, was £42.20 at the SMWS.
Berry Brothers and Rudd Ledaig 2005
Highland single cask single malt Scotch whisky, 62.7%. Sold out.
Glengoyne English Merchant’s Choice
Highland single cask single malt Scotch whisky, 54.1%. ~£100 at Master of Malt.
The Octave – Cameron Bridge 31 year old
Single cask single grain whisky, 54.6%. Sold out, was ~£75 at Master of Malt.
Having rather foolishly double booked myself during the last Whisky Lounge event in London (a Springbank tasting that I was rather looking forward to that got dropped in favour of an evening of sherry) I grabbed a ticket to Mr Ludlow’s December extravaganza as soon as I could. This time the format was slightly different in that it was to be a blind tasting, with the whiskies revealed at the end of the night, focusing on whiskies from the whisky obsessed island of Islay.
There are currently 8 distilleries on the island (with a 9th in the planning/building stages), which isn’t bad for a piece of land less than half the size of London and inhabited by only 3500 people. While traditionally Islay is known for its peaty spirit the distilleries produce a range of whiskies, with Bunnahabhain producing unpeated spirit (most of the time) and Ardbeg producing face melting bottles of smoky mud (also, most of the time). A blind tasting of these is quite interesting, as while each distillery has its own style different bottlings borrow ideas from the other producers, making things all a bit muddled. There are a few bottlings and distilleries that I reckon I could pick out, but I was interested to see how many I could guess. In the end though this blind tasting wasn’t about guessing. Knowing where the spirit in my glass has come from will often prompt an attitude or tasting note that comes from inside my head rather than from the glass. Tasting blind removes all of that and hopefully lets us taste without preconceptions.
It was a full house in the upstairs room of The Red Lion in St James’s and the man behind the Whisky Lounge, Eddie Ludlow, led the group through the whiskies. The plan was simple – we were to taste the whisky, talk about it and then give him a tasting note from each table to add to a record of the evening and compare against the other tastings of the same whiskies that he’d done around the country. We were the penultimate leg on his tour of the UK and the room did well in coming up with yet another totally different set of tasting notes for Eddie to try and consolidate. I was sat next to Chris Matchett, one of my occasional whisky buddies, a man well known for his lyrical descriptions of flavours – he was the one who came out with comments about bacon at the unsmoky The Glenlivet tasting last month…
First up was a coppery bronze dram that Eddie let us know was between 46 and 50% alcohol. On the nose it was sweaty and muddy, with camphor, apple, sea salt, a hint of oranges and salted caramel. To taste it had vanilla and light smokiness (more woody than peaty), with a syrupy texture and a dry, spicy wood finish. Water brought out more sweet creamy vanilla and some perfume from the wood, as well as some sticky glacé cherry. The tasting note we ended up providing was ‘Soggy marmite toast with salted butter and golden syrup, all spread with the same knife’, although Chris’s ‘Birkenstock sandals that someone else has been wearing all summer’ as one for just the nose almost pipped it. As an overall description his note of ‘A speyside whisky on holiday’ pretty much nailed it – not your usual Islay fair. My prediction for this one was that it was a sherried Bunnahabhain and I was rather pleased to see that I was right – it was Bunnahabhain 12 years old. This is a new version of their standard whisky, bottled at a stronger than before 46.3% and made up of a mix of bourbon and sherry casks. Totally unpeated and quite rich, it was a tasty start to the evening.
Next was a very lightly coloured whisky which we were told was between 50 and 55%. On the nose it was quite a big difference to the previous whisky – woody/muddy peat, mulchy seaweed, mint, mushrooms, pears, strawberry, cracked granite, meaty butter, a hint of the farmyard and a floral centre (maybe roses). To taste it maintained the muddiness from the nose adding in some piney smoke. It had a minerally, grassy finish that lingered around with a hint of the sweetly syrupy middle flavour. Water tamed it nicely, adding orange, lime and a generic ‘fruitiness’ to the nose, pushing the smokiness back a bit. This revealed more stoniness and some sweet citrus hanging around in the middle. I didn’t have much of a clue on this one and put it down as maybe one of the peaty Bruichladdichs, focusing on the mineraliness. As expected I was entirely wrong – it was a Berry Brothers and Rudd 1989 Bowmore, bottled at 50.9% and 20 years old. Probably from a quite inactive cask and totally unlike any Bowmore I’ve tried before.
We then moved on to a darker dram, a nice yellow gold, which were told was 40-50%. On the nose there was sweaty salted butter, leather, marmalade, toast, lemon, mulch and Bisto gravy thickener (the brown cornflour rather than gravy granules). To taste it had a light caramel sweetness to start, with an oily mouthfeel, leading to a hot peaty finish through a core of creamy sugar and woody spice. Water extended the sweetness into the finish and softened the wood to a green twig sappiness. The smoke of the finish gave way to woodiness with orchard fruit and sweet and sour sauce. For this I guessed an Ardbeg, focusing on the peat/wood/sweet combination (which may not be general Ardbeg but for some reason sticks in my head), but was yet again entirely wrong. It was, instead, a bit of a ringer – Jura Prophecy. This has no age statement (although it’s probably 12-16 years old), is bottled at 46% and is the heavily peated expression of their range – a range of whiskies from the next island along from Islay, separated by a mere 250m of water. Eddie got round this ‘semantic’ argument by claiming that Jura was connected to Islay via an underwater causeway, and thus counted. There were murmurings…
Next up was a coppery dram that we were told was between 55 and 60%. On the nose there was turkish delight, dark chocolate, raisins, burned apple pie (very specifically listed by me as the burned bits on the top of the pie where the pastry cracks and the filling bubbles out, and by someone else as the layer between the filling and the pastry when the top has burned), bread and butter pudding, and a bed of meaty peat under it all. To taste it was very smoky, with a heavy coal smoke flavour almost obscuring vanilla and more apple pie. Water helped separate the flavours, leaving a spike of peat at the front leading to a sweet muddy mulch. The coal is calmed down to reveal vodka-like grain. Our note for this was ‘Apple pie and ice cream beside an iron coal stove’. This was the first whisky I was fairly certain of, writing down a definite Bowmore – the specific sweet smokiness is the flavour that I find in Bowmore and few other Islay whiskies, and this time I was right – Bowmore Tempest, a 10 year old whisky bottled at 56%. This one was from the second batch they’ve made of this and was matured in first fill bourbon casks.
Our penultimate dram was very light and between 46 and 49%. From the nose I was certain I knew which distillery it was from – a strong smell of the farmyard, light alcohols, white cabbage, menthol, caraway, vodka, a light oiliness (the smell of ‘flavourless’ cooking oils) and white pepper. It smelled young and was quite thin and prickly. To taste it had a creaminess combined with the smoke, bringing to mind Bavarian smoked cheese tubes. It also had sweet root vegetables, lots of caraway and a pleasantly creamy mouth feel. A drop of water brought out tropical fruit, sour wood and mulchy peat as well as more cream. I was certain that this was Kilchoman, the island’s newest distillery, as the whisky tasted very young and similar to the new make spirit and not-mature-yet ‘whiskies’ that I’ve had from them. Yet again I was wrong – it was Douglas Laing’s Big Peat Batch 10, a blended malt bottled at 46% and made up of whiskies from Ardbeg, Caol Ila, Bowmore and Port Ellen (although as the latter is closed and bottles go for silly amounts of money we assumed that there wasn’t much of it in there). This is a really young tasting whisky and ones that makes me want to crack open the bottle of Kilchoman I have hiding at the back of my cupboard.
The last whisky of the night was a pale gold, and between 55 and 60%. On the nose it had golden syrup and salt, burning grassland, mint, white grapes and a stony minerality. To taste it was sweet with and almost cloying peatiness backed up by wood smoke. There was also sweet fruit (apple and strawberry?), fragrant tea and pepper. Water brought out lime and vanilla on the nose, and sherbert, wet carpet, cinnamon, lemon & lime, spiced orange peel and a tarry finish to the taste. Again, I was fairly certain I knew what this one was (especially bolstered by 6 drams as I was by this time) and both wrote down and called out Laphroaig Quarter Cask, focusing on the sweet peatiness and minerality that I find in that whisky. Predictably I was wrong again – it was a cask sample from Ardbeg. Drawn from the cask (a first fill bourbon barrel) quite recently it was at the cask strength of 56.3% and was distilled in 2000.
In the end I was quite pleased with two out of six, especially as most of my other guesses made sense (at least to me) and weren’t blind stabs in the dark. It was also nice to taste things without any foreshadowing, letting my subconscious whisky snob stay asleep and not jump in with its ideas. The evening was wrapped up by singer/guitarist/songwriter Tim Hain knocking out a quick rendition of his song One More Dram (last heard at The Whisky Show a month or so ago, accompanied by Colin Dunn in the Connosr Whiskypod) before Eddie had to run away to the snowy north again. There are already plans afoot for next year’s events and there is also a new Whisky Lounge dram appearing soon – Dram 101. It’s a blended malt with about 50 components and was put together by Eddie as a follow up to last year’s Whisky Lounge Festival Dram. It should be available from the Whisky Lounge website soon, maybe even before Christmas but so far the only evidence of its imminent existence are a couple of tweets and this video…
At the end of the tasting we all scored the whiskies out of 100 (something that I hate doing, hence the lack of scores on this site) and Eddie is now collating the results from all of the tastings ready for release to see which whisky came out top overall. My favourite of the night was the Berry Brother’s Bowmore, followed by the Big Peat, so I’ll be interested to see what the group reckoned.
Bunnahbhain 12 Year Old (new bottling)
Single Malt Islay Scotch Whisky, 46.3%. ~£30 from The Whisky Exchange.
Berry Brothers & Rudd 1989 Bowmore
Single Cask Single Malt Islay Scotch Whisky, 50.9%. ~£60 from BBR.
Single Malt Jura Scotch Whisky, 46%. ~£50 from Master of Malt.
Bowmore Tempest 10 Year old
Single Malt Islay Scotch Whisky, 56%. ~£40 from Master of Malt.
Blended Malt Islay Scotch Whisky, 46%. ~£30 from Master of Malt.
Ardbeg first fill bourbon cask sample
Single Cask Single Malt Islay Scotch Whisky, 56.3%. Not available unless you go to the distillery and beg or rob Eddie.
Another month, another slab of Whisky Squad related delight Chez Jeff, the lovely landlord of The Gunmakers. This month we were treated to another special guest following in the rather hefty footsteps of Colin Dunn – Rob Whitehead from Berry Brothers & Rudd. Regular Whisky Guy Darren was off recovering from a whisky related sojourn state-side, so we were left in the capable hands of Rob to run us through some of the whiskies that Berry Brothers bottle.
Berry Brothers & Rudd are the oldest family owned wine and spirit merchant in the world. Generally they’ve been known in more recent times for their wine, with their cellars extending for quite a way under St James’s, but they are also a very well respected independent bottler of spirits. Despite having known about them for a while, something that is inevitable when your dad sells wine, I didn’t realise that they also did whisky until recently. Having tried a couple of drams at whisky live earlier this year I did a bit of research and found that they’d won Whisky Magazine’s Independent Bottler of the Year award last year, a feat they’ve recently repeated for a second time.
The shop started out in 1698 as grocers on the same site that it is now, 3 St James’s Street. The Berry clan became part of the business in the 1780s through marriage and Hugh Rudd joined the company in 1914 as a junior partner, completing its current name. While the wine side of things is more well known these days, with the full cellars of St James’s as well as a warehouse in Basingstoke allowing them to store 6 million bottles of wine, a million of which are looked after for customers needing proper cellaring, it was whisky that helped them keep going through the post-war period. In 1923 they released Cutty Sark, their own blend, which had great success in the US during the 50s and 60s giving a well needed boost in the still struggling British economic climate. They recently did a trade with the Edrington Group, swapping Cutty Sark for Glenrothes (which they already had a part share in) and a share in the Anchor brewery in San Francisco, but the whisky loving streak runs deep in the company.
Rob works with the BBR spirit’s manager Doug McIvor to put together an impressive selection of spirits, from distillery bottlings to a range of their own – the Berry’s Own Selection. This doesn’t only cover whisky, but also rums, and they also bottle their own cognacs and gin – the spirits room at their shop is rather full of interesting looking bottles. However, the whisky is where we were at for the evening. They bottle quite a range, with their youngest being a 4 year old Ledaig and the oldest a 42 year old Carsebridge, from all over Scotland. They buy casks from various distillers and mature them in a variety of locations, having their own warehouse in Scotland as well as leaving many with the distillers themselves, although in order for a whisky to be called scotch it does have to be matured in Scotland. Their bottling policy is very simple – it’s bottled when it’s at what Doug thinks is the whisky’s best. If they miss that point or if they don’t think it will reach it they sell the cask on – the trade in casks is very active, with many companies needing whisky for blending and not worrying if it’s not up to single cask bottling as it will only be one component of many in a finished product.
In traditional Whisky Squad style we tried the whiskies blind, with Rob helping this along by bringing along a set of whisky socks to conceal the bottles. We started on what he described as ‘Breakfast Whisky’, a lightly coloured introduction to the evening. On the nose it had boiled sweets, liquid caramel and apples. To taste it had spice, orange candy, sherbert, polished wood and a hint of floral (rather than peppery) olive oil. Water brought out more of the woody flavours, with vanilla and sour wood joining the rest, along with blackjacks, menthol and a biscuity graininess. Guesses were made and Rob revealed the bottle to be a 14yr old Aberlour matured in a many times refilled cask. The standard Aberlour style is quite heavily sherried (as I’ve mentioned before), so this less active cask, as most of the wood flavour had been leeched out through the previous fillings, gave a more ‘naked’ tasting Aberlour, revealing the underlying new make more than usual.
We moved on quickly to number 2, a rather different beast. On the nose it had rubber boots, earthy smoke, turpentine, chilli and charcoal, with a sweet hit at the back of the nose. My tasting notes start with ‘charcoal butter’, continuing with lemons, brine and a smoky mineral (granite?) finish. Water tamed things slightly, revealing a rich spicy sweetness and more of a prickly mouthfeel – maybe revealing a hint of horseradish. This one at first seemed easier to guess, being quite blatantly made in the style of an Islay whisky, and predictions were made. However, this was another deliberate curve ball – a 12 year old heavily peated Bunnahaibhain. The regular production bottlings of Bunnahabhain are unique on Islay due to being almost entirely unpeated, however for two weeks a year, just before they close down for summer, they distill a heavily peated spirit that is generally used in making Black Bottle (a smoky blend using a bit of most of the Islay malts). They then thoroughly clean out the stills and tuns before returning to their regular spirit production when the distilling starts up again. Berry’s bought some casks either side of the closedown one year and released this rare peated version – the others are still waiting to reach their peaks.
Number 3 was my favourite of the night. On the nose it had flowers, wax, pears and linseed oil, along with a sweetness that I described at the time as ‘like when you mix together the strawberry and vanilla sections of Sainsbury’s neapolitan ice cream after it has started to melt. There’s not chocolate because the chocolate bit in neapolitan ice cream is rubbish’. I ate a lot of Sainsbury’s neapolitan ice cream as a child. To taste it had a big creamy sweetness with fizzy lemons, opal fruits, sour plums, and some oiliness and spicy dry wood. A drop of water opened it more with strawberries and custard, but it stilled retained the woody spiciness. An interesting dram that I dreaded discovering the price of. The sock was whipped off and it was shown to be a 26 year old Glen Mhor. This didn’t enlighten me much, but Rob continued with the story. Glen Mhor (pronounced ‘Vor’) was an undistinguished distillery in Inverness, not particularly admired but producing okay whisky until it closed in 1983. It was demolished in 1986 and is now a Co-op. This cask was distilled in 1982, just before the closure, and bottled in 2009, and unlike the regular whisky the distillery produced it has come out to be rather special. It’s an older style of whisky, as you might expect from a slowing down distillery in the early 80s, and Rob told us about whisky lovers who tried things back in the early 80s waxing lyrical about its old school flavour. The writing of this post was accompanied by a dram of it.
Number 4, the ‘official’ last whisky of the tasting, was poured out and sat a deep bronze in the glass. On the nose it had sweet orange, dark rum, vanilla and coconut. ‘Like a milk chocolate Bounty’ someone offered from the room. To taste it had a cool creamy sweetness with a touch of woodiness and a drying finish. Water brought out more flavours, with butter icing and sour fruit making an appearance. The finish was still woody, with some astringent booziness to the sides of the tongue. While the guessing went on I rather proudly detected the key USP of this whisky – it’s a single grain. With my recent discovery of and continued searching for grain whiskies I shouldn’t be quite so preening, but preen I did. The sock was removed and it was shown to be a 39 year old Invergordon single grain. I tried one of their previous bottlings of Invergordon at Whisky Live when I first discovered the Berry’s Own Selection range and thought it was quite special – this one beat it hands down. Distilled in 1971 this was bottled 5 weeks ago, with an outturn of about 190 bottles, missing out on its 40th birthday by a few months. After 39 years it still came in at a strength of 47%, which was helped along by the cask being filled with much higher alcohol distillate than usual – maybe 70% or above. The empty barrel has since been filled with Laphroaig new spirit and is now sitting somewhere thinking about what it’s done, waiting to be bottled some time in the future. This whisky reminded me of the Port Dundas that I own as well as the one that Colin Dunn brought along to Whisky Squad #5 even though this was matured in a first fill bourbon cask rather than sherry, as used in the other two. An interesting whisky that shows the delicate common characteristics of well aged grain and one that I was very tempted by.
Now that the tasting had officially finished Rob unveiled a special fifth bottle. Grabbed on the way out of the shop it’s one that was used for customer tastings of a whisky that sold out that day. Rather than leave it hidden in a cupboard Rob kindly brought it along for us to have a try. On the nose it was waxy with linseed oil, sherbert and thick vanilla. To taste it started with leather and stones before moving to a floral sweetness with red fruit and citrus, and a dry woody finish. Watter brought a chalkiness with the fruitiness, described as ‘fruit rennies’, sherry wood and more vanilla. Rob gave us a few hints, starting with the fact that the distillery is now closed. It’s a triple distilled (rather than the more regular double) lowland whisky that was matured in a fourth fill sherry cask. With blank faces all around the sock was removed for one last time to reveal a 26 year old St Magdalene from 1982. The distillery closed in 1983, another victim of the over production of the 70s, and is now a block of flats. This bottling sold for £90 and is now completely sold out.
We repaired, as usual, downstairs to find the place had been overrun by the London Perl Mongers on their monthly meetup. Being an occasional monger of Perl I knew a bunch of people and they soon started digging in to the left over whiskies that made it behind the bar – the Invergordon didn’t last long. I ended up running down to Berry’s the next evening to grab a bottle of the Glen Mhor (one of the last 5 or 6) and caught them just before they closed. I’m not sure if it counts as a lock-in but Rob walked me through a couple of their other whiskies including the fabled 4 year old Ledaig, the youngest they’ve bottled and also completely sold out, which was a young peaty slap to face (and good with it), and also their Guyanan demerera rum, which was dark, dangerous tasting and unlike any other rum I’ve tried before. It’s definitely worth the trip down to St James’s.
Berry’s Own Selection Aberlour 1994
14 year old speyside single malt scotch whisky. 46%. ~£35. No longer available online.
Berry’s Own Selection Bunnahabhain 1997
12 year old cask strength Islay single malt scotch whisky. 55.3%. ~£45. No longer available online.
Berry’s Own Selection Glen Mhor 1982
26 year old cask strength highland single malt scotch whisky. 46%. ~£70. No longer available online.
Berry’s Own Selection Invergordon 1971
39 year old cask strength single grain scotch whisky. 47%. ~£100. Available on bbr.com
Berry’s Own Selection St Magdalene 1982
26 year old lowland single malt scotch whisky. 46%. ~£90. Sold out.
There’s a chance that the whiskies that aren’t online are available at their St James’s Street shop, so it’s worth wandering in if you’re interested.
The guy on the shop stand told me that it’s a combination of all of the whiskies that Eddie, the man behind Whisky Lounge, liked from last year’s Whisky Lounge events, vatted together by Berry Brothers and then bottled in this limited edition of 250 20cl bottles. If true, this means it’s a blend of Scottish, Irish, Japanese, American and Indian whiskies, which may make it the most cosmopolitan blend that I’ve tried before.
On the nose there’s parma violets, fragrant wood, vanilla, oil, cinnamony spice and a light meatiness. To taste it’s generally sweet with apples, pears, a hint of mustardy burn, butter, linseed, sweet cream, dried fruit and a prickly sweet wood finish. Water brings out vanilla and biscuits, apple pie and victoria sponge with butter icing. The finish is slightly more bitter but with a touch of red fruit and drying vanilla wood that lingers for a while.
A bit of a random dram, but one that I quite like, especially with the sponge cakeyness that water adds.
The Whisky Lounge Festival Dram 2009
A potential world spanning blended whisk(e)y. 46%.
I think it was £12 for a 20cl bottle, but my memory is spotty. I suspect it’s sold out, but if you ask Eddie nicely he might have some bottles in his loft.