It’s BrewDog’s AGM this weekend, and along with some big news (a new bar in Glasgow with micro-brewery, launching Lone Wolf gin and vodka, revealing who’s buying 22% of the company…) there are a load of beers to try. In amongst the the cans of Born to Die and bottles of Dog F are a trio of beers from the past: Hop Rocker, The Physics and Punk IPA. This isn’t the Punk of today, instead it’s a recreation of the original recipe. And while I’m not at the AGM, I am in BrewDog Shepherd’s Bush, leeching their wifi and drinking Original Punk IPA.
It’s surprising how little French whisky is seen out in the wild. Long known as the largest consumers of Scotch whisky in the world, there has been little French-made spirit on the market until the past few years. Along with more established names, there is now a new kid on the block – Black Mountain.
While the lost distilleries of Scotland are often spoken about, their closures lamented and bottlings pored over, there is another group of distilleries that I think deserve attention even more – the ones that are working that we never hear from. The distilleries with no official bottlings and rare independent releases, which produce whisky that goes anonymously into blends or hides behind other people’s labels.
Every now and again one emerges into the light, and the latest is Tamnavulin.
Glenglassaugh is a distillery I have a love/hate relationship with. Their older drams are marvellous, with not only their own releases but also those from the Scotch Malt Whisky Society consistently punching above their not inconsiderable price. However, since reopening in 2008, their new whiskies have not made me a happy man. But, in my whisky pile was a sample of Glenglassaugh Torfa, so it’s time to give them another chance.
So, this here blog has turned seven. Well done blog, fallow as you are for much of the year due to me being busy and lazy. On Wednesday this week, the actual birthday, I was running a Whisky Lounge Blind Islay Fury whisky tasting, which seems appropriate, but I celebrated with a silly beer on Friday, and now I’m in the pub after running another whisky tasting, it’s time to write about it – a special bottle of Loch Ness Brewery’s Prince of Darkness.
Loch Lomond is a distillery that hasn’t got much love in recent years. Fortunately, that’s been changing and the newly revitalised company is beginning turn heads. Its latest release looks to continue that trend – Loch Lomond Single Grain Scotch Whisky.
It’s impressive how quickly 12 months can pass by. This time last year, I was trying to work out how to both get to the Islay Festival of Malt and Music – Fèis Ile to its friends and about 50,000 Scottish gaelic speakers – and travel around the island once I got there. My companion during this ‘planning’ was a dram from the Scotch Malt Whisky Society, their first bottled in celebration of the festival. This year I can’t make it to Islay, so instead I’m looking at other people’s plans with a new whisky compantion – the SMWS’s second festival bottling, 127.44: Cantina Mexicana.
Travel retail is a strange market. Not only are the shops in some of the strangest on earth – liminal spaces constructed with a strange dual purpose of quick movement and opportunities to spend cash – but it’s a hard market. Bruichladdich are no stranger to the vagaries of travel retail and they’ve just unveiled a pair of new whiskies – Bruichladdich The Laddie Eight and Port Charlotte 2007 CC:01.